I love grouting! But I knew grouting this tree would be hard.
I knew I would need to take great pains to reveal each piece of tessarae because each piece has meaning to someone in the congregation. But within each leaf there could be a small tie clasp sitting next to a thick chunk of outdoor tile! So revealing each piece was going to be hard!
To prepare the tree for grouting, I first had filled the spaces between the leaves with black tile that had been donated.
I knew I was using black grout so these tiles would recede somewhat and help to delineate the leaf shapes.There was also too much space between most of the leaves.
Then I taped off half the tree. That is usually a painstaking process which I dread but today it wasnt so bad!
The grouting process is an artform in and of itself. It begins with an attack of the piece - covering the artwork rather violently with handfuls of colored "slop" and ends with a delicate buffing and polishing that can last for hours.
But in between is the painstaking removal of the grout that covers each and every piece of tessarae. And if one is working outdoors in the sun, the time between these steps speeds up considerably!
I love working in the sun but it means the grout dries faster, needs to be removed faster so it doesnt dry onto the tessarae. But the fast drying time means you can get to the buffing and perfecting stage faster too. And the best part is removing the tape to see the shape edges all around the piece. Love it!
I like to use dark grout and am getting to like just plain black the best. I chose it for this tree mosaic because it was the only color not used in the leaves themselves!
I knew it would also set off the jewel-tone colors in the leaves. And it creates a little bit of a stained glass look that I like too.